ADAM BRAND
In a recent
documentary on the recording of Adam Brand's sixth studio album 'Blame It
On Eve', the multi platinum recording artist reflected on the time he realized
that his dream of a career in music might become a reality.
"There
were moments when I wanted it badly but not many when I believed it was possible.
It wasn't until the 1999 CMAA Awards when that first Golden Guitar for Song
Of The Year for 'Last Man Standing' was read out
I went back to my seat
and it was at that point
that precise split second
that I realized...wow!
I
might just become a singer for a living."
It shouldn't
have surprised Brand that he took home three awards that night in January
1999. They were a significant and validating symbol of recognition for his
talent, hard work and commitment.
And it
is those three elements
talent, hard work and commitment
that have
fuelled Brand's remarkable success since June 1997 when he left his home in
Perth to drive across the Nullabor in search of a break in the East.
Now, ten
years, eight Golden Guitars, three platinum albums, two gold albums and two
gold live DVD's later, Brand releases what is perhaps the most defining work
of his career.
'Blame
It On Eve' was recorded between Sydney and Nashville with long time producer
Graham Thompson and many of the musicians that played on his previous album
'What A Life'. It covers expansive ground from the hard driving country rock
of 'Get On Down The Road' and 'Down Home' to the desolate "Waiting On
Sunshine' and the fragile 'Not So Strong' which features a vocal performance
that is arguably Adam's finest to date.
If you
listen to Brand's first few albums the themes are pretty consistent: Fun,
family, friends and fast cars. These themes continue on subsequent albums
but the naivety of the early albums gives way to an inevitable maturity
albeit
with the essentials of reckless fun and frivolity still well and truly present!
It was
the 'Get Loud' album, released in 2004 that first hinted at this shift. Though
the title track became an anthem for the hard partying country crowd, it was
on 'Get Loud' that we first heard Brand sing songs of desperation. Songs like
'Impossible To Do' and 'This Time Of Year' were in stark contrast to anything
he had recorded before. They showed a shift from the third person narrative
heard on songs like 'The Good Things in Life', written about a failed marriage
for the 'Good Friends' album of 2000, to chilling accounts of broken relationships
told in the first person.
If 'Get
Loud' was a turning point for Brand, the recording of his subsequent album
'What A Life' was the next step in his growth as an artist, both in his songwriting
and the sound of his records. And there were two key contributors to this
evolution: a new studio band and a songwriter by the name of Travis Meadows.
"I
met Travis Meadows at the start of the 'What A Life' album and we just got
on
I suppose you could say we are kindred spirits. For 'Blame It On
Eve' we planned well in advance to spend a whole heap of time writing together
before going into the studio. We came up with some songs that I am really
proud of ".
From this
concentrated period of writing just prior to the recording of 'Blame It On
Eve' three songs made the final cut: 'Not So Strong', 'Wasted Days' and 'Better
Than This'. Travis also wrote the title track and the haunting 'What We Do
To Ourselves'.
Producer
Graham Thompson believes that the band that first appeared on 'What A Life'
and returned for 'Blame It On Eve' also helped shape a distinguishable new
sound for Brand. "I would say that Greg Morrows drumming, Mike Brignardello's
bass playing, J.T. Corenflos's guitar playing and Dan Dugmore's lap steel
playing has created a sound for Adam that is exactly what Adam and I wanted
to hear. For me the most defining element is Dan's lap steel
it's all
over the album
that man is an international treasure!"
Brand agrees
"Those guys are all guns for hire but they play with
the enthusiasm of a garage band. To me they sound like a real band on the
record and although they play on a lot of records, Graham gives them more
freedom on my albums than they are normally afforded on Nashville sessions.
They seem to appreciate that and give their best."
Adam also
wrote with old friends Sam Hawksley ('Comin' From') and Mike Carr ('Waiting
On Sunshine' and 'Right Here With You'). He also recorded a song by newcomer
Leanne Rose called 'Angels', a sweet reflection of the importance of empathy
in relationships.
'Blame
It On Eve' is a great album delivered with the conviction of a great Australian
artist at the height of his game.
"I
could not imagine a life without music. It picks me up when I'm down, motivates
me, gets me pumpin' when I need to be. Since I was three years old singing
'How Much Is That Doggie In The Window' with my Dad at the Charles Hotel in
Perth
it's what I've always dreamt of doing". |